云冈石窟简介20字

篇一：云冈石窟导游词

尊敬的女士们，先生们：

大家好!

我是大家本次的导游员滑新宇。今天我将陪同大家一起参观举世闻名的佛教艺术宝库云冈石窟，那么也欢迎各位游客来到这世界文化遗产，国家5A级旅游景区！相信各位朋友来到大同，来到云冈，一定会有眼前一亮的感觉！确实，从2008年起，云冈石窟实施了规模空前的周边环境综合治理。治理区域达224万平方米，总投资约17亿元。经过治理之后呢，现在云冈石窟不仅在规模上突出了皇家园林和佛教胜地的恢弘气势，在规划布局上也有了全面的改进。营建的新景区包括：地堡式游客服务中心，“昙曜广场”，“礼佛大道”，“帝后礼佛图”，“山堂水殿建筑群”，演艺中心和陈列馆，和主石窟群，组成串联式游览路线，形成新的云冈石窟国际型大景区。

现在咱们参观的云冈石窟是约在公元460年的北魏文成帝时期开凿的大型石窟，迄今已有1500多年的历史，现存主要洞窟45个，佛教造像5.1万多尊。它与甘肃敦煌的莫高窟，洛阳的龙门石窟，和甘肃天水麦积山石窟并称为中国四大石窟。那么同时在2001年12月14日，联合国教科文组织将云冈石窟列入了世界文化遗产名录。

那么好了朋友们，现在大家就随我进入云冈石窟的山门，在我身后的便是云冈石窟的参观示意图。

因为石窟开凿在武周山的山崖上，而武周山的最高处称云冈，故名云冈石窟。根据武周山势的自然起伏，云冈石窟又自然的分成东区、中区和西区三部分。其中第1~4窟为东区，5~13窟为中区，14~45窟为西区.

今天咱们参观的对象主要是第5.6窟和昙曜五窟的18.20窟。

请大家跟我来，我们现在看到的就是第五窟，五窟和六窟为一组毗连在一起的双窟，也是云冈石窟种最精彩壮观，最具代表性的石窟。五窟分为前后两室，为椭圆的穹窿顶马蹄状。那咱们进入5窟，首先映入眼帘的是这尊盘坐的大佛，这种吉祥式坐姿表示着释迦牟尼佛进入标志的静思维修行状态，是佛的坐，立，行，卧4个庄严的身姿之一。这尊大佛高达17米，为云冈石窟第一大佛像。可能这么说，大家觉得还不够形象，那它到底是有多大呢，具体的说大佛的膝上可容纳120人， 一只脚可站12人，所以大家就可想而知了。这尊大佛给人一种端庄，肃穆，慈祥之感觉。那现在我们可以看到，窟中的佛像布局为三世佛，中央的坐佛为释迦牟尼佛，佛像的右侧为未来佛，由于立佛身上的泥装脱落，我们得以目睹当时石刻技术的精湛。主佛的对面有约1米的8尊佛教造像，衬托着主佛更加高大雄伟，拱门东侧菩提树和树下二佛对坐的造像，都十分精湛。请大家注意，石窟大佛后面有一条狭长的隧道，你们猜这是做什么用的？对了，

这是佛教信徒们礼拜绕行的诵经道。

好了，在我们参观第5窟后，请大家跟我来，我们去看因雕刻技术精湛，雕刻内容丰富而被称为云冈石窟第一伟窟的第六窟。大家可以回忆第五窟的风格来对比参观。第6窟平面呈回字形，窟正中凿一方形塔柱。环绕塔柱下层四周和东南西三壁的中心，是工匠们精心雕刻33幅表现释迦摩尼本传的故事图。这是中国现在最早最完整的宗教石刻连环画珍品。整个洞窟雕饰富丽堂皇，几乎找不到一点没有雕刻的空间，真是一座热闹拥挤，玲琅满目的佛国世界。窟中石雕造像有3000多尊，主题以歌颂佛母和表现释迦牟尼一生的成佛弘教经历为主，因而也称之为佛母洞，其实此窟也是孝文帝为其祖母冯氏开凿的一个祈福洞窟。

接下来咱们再来重点参观昙曜五窟的18.20窟。请大家跟我来。

第18窟的主佛像是一尊披着千佛袈裟的释迦立佛，之所以称之为千佛袈裟，是因为袈裟上刻有无数的小佛像，属世界罕见。既然这么独特，那么大家也应该想到了这其中必有内涵。请大家仔细观察。佛像左手将袈裟扶在胸口，手势呈忏悔状，给人深思忏悔的感觉，其实这尊佛代表太武帝拓拔焘，在昙曜造佛像时，一边考虑到太武帝曾经灭过佛法，一遍又想他也完成了北魏统一大业，于是合情合理地设计出此千古独有的一尊造像。

那么接下来我们来参观第20窟大佛，我们现在所看到的大佛就是被誉为云冈石窟外交官和代表作的露天大佛，我想大家之前应该在很多明信片、宣传片中都一览过它的容颜。露天大佛是在1000多年前的辽代，发生坍塌后，露天而坐的。关于他有两种说法，一说它是文成帝的化身，是昙曜为报答知遇之恩而造，那么另一说它是完美的佛的化身，不论哪种说法吧，都有着很好的涵义。

那么接下来的时间，大家就可以在露天大佛前拍照留念，愿大佛炯炯有神的双眸，略带微笑的嘴角，给大家留下深刻的回忆，带来美好的福音。那么朋友们，好了，咱们今天的讲解就到这里，接下来请大家自行观看，半小时后我们在这里集合。

篇二：云冈石窟的英文介绍

YungangCaves,oneofChina?ˉsfourmostfamous"BuddhistCavesArtTreasureHouses",islocatedaboutsixteenkilometerswestofDatong,ShanxiProvince.Thereexists53caves,mostofwhicharemadeduringtheNorthernWeiDynastybetween460and494AD,andover51,000stonesculptures.Itextendsonekilometerfromeasttowestandcanbefallenintothreemajorgroups.

????Thefirstgroup(includingCave1,Cave2,Cave3andCave4)areattheeasternendseparatedfromothers.Cave1andCave2havesufferedfromrigorsoftimeandtheweather.Cave3,anafterthoughtaftertheNorthernWeiDynasty,isthelargestgrottoamongYungangcaves.

????ToursnormallybeginfromthesecondgrouprangingfromCave5toCave13.Yungangartmanifestsitsbestinthisgroup.Cave5containsaseatedBuddhawithaheightof17meters.InCave6,a15-meter-hightwostoreypagodapillarstandsinthecenterofchamberandthelifeoftheBuddhafrombirthtotheattainmentofnirvanaiscarvedinthepagodawallsandthesidesofthecave.TheBodhisattvawasengravedinCave7.TherareseenShivaStatueinYungangwitheightarmsandfourheadsandridingonabullisillustratedinCave8.Cave9andCave10arenotableforfrontpillarsandfiguresbearingmusicalinstruments.MusiciansplayinginstrumentsalsoappearinCave12.Cave13hastheBuddhastatuewithagiantfigurinesupportingitsrightarm.

????Therestcavesbelongtothethirdgroup.Cave14haserodedseverely.Cave15isnamedastheCaveofTenThousandBuddha.Thecavesnumbered16toCave20aretheoldestcomplexandeachonesymbolizesanemperorfromtheNorthernWeiDynastyandthesubjectof"EmperoristheBuddha"isembodied.ThecavesfromNo.21onwardarebuiltinthelatertimesandcannotcomparetotheirbetterpreservedcounterparts. ????Notes: ????1.YungangCaves????êˉ??

篇三：云冈石窟英文介绍

佛教的经典杰作

世界的艺术高峰

数十个千年石窟

数万尊佛雕

中国的瑰丽宝库

全人类的文化遗产

World culture heritage

At the southern foot of Wuzhou Mountain 16 kilometers west to Datong, Shanxi Province, a colorful and new grottoes are hid among the groves ,which are praised as “One of the artistic peak in the world “by French President Pompidou.

The grottoes are chiseled（雕，刻；凿）at the foot of the mountain, stretching about one kilometer from east to west. These are about 53 grottoes of different sizes and more than 51000 Buddhist(佛教的) carves .It is one of the biggest grottoesof China and is called the three artistic grottoes artistic treasure-house in China together with Qianfo cave in Dunhuang and Longmen grottoes in Luoyang.

It was first chiseled in the first year of Year Heping in Northern Wei and Monk Tan Yao at that time chiseled it for duty of Emperor Wencheng. Most of the grottoes were finished in the eighteenth year of Year Taihe in Northern Wei before the capital moved to Luoyang, which lasted for forty years. And there were more than 40000 people did the job. While the grottoes statue project lasted until the period of Emperor Zhengguang

The highest is 17 meters while the smallest is only several centimeters. The g(来自:WWw.cssyq.Com 书业网:云冈石窟简介20字)rottoes are very magnificent(壮丽的；华丽的；宏伟的),

Cave No.5 and Cave No.6 and Wuhua Cave are rich in content and can be called the essences（本质，实质；精华）of the grottoes artistic.

The Yungang Grottoes are divided into three parts ?east part, middle part and west part.

There are four caves in the east part, nine caves in the middle part. And forty caves in the west part .The Yungang grottoes inherited and developed the traditional art of Qin and Han Dynasty. It also absorbed the essence of foreign culture and created a unique style and served as a connecting link to the later Sui and Tang Dynasty on art. This occupies an important place in the Chinese artistic history.

Tan Yao’s Five caves

Tan Yao’s Five Caves are the first chiseled（开凿） among the Yungang Grottoes and they are very magnificent .They are located in the middle of the Yungang Grottoes and there are Cave No.16、 Cave No.17、 Cave No.18、 Cave No 19and Cave No.20.Weizi-Buddhism and Taolsm Annals”, in the first years of Year Heping in Northern Wei, the famous Monk Tan Yao at that time presented a memorial to the Emperor Wencheng to chisel five caves in Wuzhou and carved five Buddhas shaped as Emperor Wei Daowu. Emperor Mingyuan, Emperor Taiwu, Emperor Jingmu and Emperor Wencheng. And this is Tan Yao’s Five Caves today.

Wuhua Caves has Cave No.9、 Cave No.10、 Cave No.11、 Cave No 12 and Cave No.13. It has various of artistic styles. Wuhua Cave、Cave No 5 and Cave No.6 are the essences of the carving art in the Yungang Grottoes .And they also offer a lot

Of imaging information to the research of art, history, calligraphy（书法）, music, architecture, etc.

The Yungang Grottoes ?West Part

Most of the caves are in the west part and each has its own feature, acclaimed. Especially Cave No.16 to Cave No.20 in Tan Yao’s Five Caves, they are chiseled in a planned way under the direction of Tan Yao. It is said that this followed the order ,”the emperor is Tathagata.”. Tan Yao directed the five emperors’ figures since Emperor Tai Zu in Northern Wei to the cliff .on the Sakyamuni（释迦摩尼）. Cave No.16 Buddha is the youngest one and it is simulated(模仿) the 20-year old and more Emperor Wencheng reigned then, And the Buddha is 13.5 meters high.

The Yungang Grottoes ?East Part

Cave No.1 to Cave No.2 are double caves which are situated in the east of Yungang Grottoes. In the middle of Cave No.1, there carved two floors of square tower pillar. At the back ,there was Maitreya（弥勒佛）. The Buddha around were mostly weathered, the carved Monaural(维摩文殊) on two sides of the cave gate of the south wall and the Buddhist adopted story relief on the lower part of the east wall were well preserved. In the middle of Cave No.2, there was a three floors of square tower pillar .Each floor carved three attic niches around and also carved five-floor ?tower on the inside walls which were the imaging information of the architecture in Northern Wei.

World Heritage Committee appraised: Located in Datong, Shanxi Province, the Yungang Grottoes have 252 niches and more than 51000 Buddhist cave art in China from 5 Century to 6 Century. Tan Yao’s Five Caves have a well-knit and united arrangement and they are the classical masterpieces in the first peak of Chinese Buddhist art.